![]() Instant On has been updated to version 5.0.2, with full support for capturing audio from sandboxed applications from the Mac App Store and other sources. Many bug fixes have been applied to the hijacker. Specifically, recordings are automatically split if they reach 2 GB in size or 24 hours in length. Audio Hijack Pro's auto-split settings have been reverted to those used in 2.10.0 and before. A bug where Audio Hijack Pro could inadvertently create hundreds of files on long recordings has been corrected. The LAME MP3 recording engine has been updated to 3.98.4. A regression which affected audio capture from older versions of Skype (specifically, Skype 2.x) has been corrected. This update also fixes a potential conflict with Qt-based applications, including Sibelius. ![]() ![]() Overall though, Audio Hijack Pro lets you record and enhance sounds from any application really quickly. You can create your own but I found Audio Hijack does not let you save them for future use. I did find the process of inserting effects a little confusing, and you really need to connect them correctly to get what you are looking for.Īudio Hijack Pro comes with some preset formats to save your audio. There really is a wide selection of effects to choose from, 60 in all, and you can add more. Audio Hijack Pro also lets you enter metadata, although it all has to be done manually (I didn't see an import feature), which is a little tedious. Or even use different sets of return channels for different mixes to different places, like one for your monitors, one for OBS/live stream, one for your headphones for monitoring what you're playing perhaps.You can schedule automatic recording at precise days and hours of the week for each application. Then you can send your Ableton mix to something like OBS Studio for example. Now you can use this aggregate device inside something like Ableton live, and then you route and mix audio from different sources. You can have a dedicated Blackhole audio device for each thing you want to mix and then stitch them together into an aggregate audio device (on Macs). The new variable name is `kNumber_Of_Channels` for number of channels. You can also go up to 16 (or more?) channels instead of the stock 2, which is great for multiple participants in a jacktrip session, among other things. ![]() Just change around some variables: `kDevice_Name`, `Manufacturer_Name`, `kPlugIn_BundleID`, `kBox_UID`, `kDevice_UID`, `kDevice_ModelUID`, and then the Blackhole.driver folder it spits out after build. The unsung hero of Blackhole is the ability to easily build a new one, meaning you can have infinite sets of audio devices with custom names. Is it possible you have some very specific requirements that no one else does? Maybe, but I’ve landed on the idea that this a really a form of procrastination - where the “paying attention” part of the process is being pushed off until sometime later, and really just makes more work in the long run. What’s their secret? They just pay attention and take notes the first time through. You seem to be aspiring to use a techie solution to this, but would it really work in practice, and be worth the effort?Ĭonsider that 99.9% of people are able to function pretty well without having to refer back to a full recording of every meeting they’ve ever had. Having a full recording of everything implies that at some point you have to actually process the content (take notes, etc.), and you’re really just setting yourself up for taking double the amount of time than it would if proper notes were taken in the first place. I think a lot of people take this approach of recording everything (or at least try to once the idea of recording meetings is available), but you really need to think about whether it’s going to solve the problem you think you have. ![]()
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